Thursday, June 23, 2011

Quinn's Fine Art Gallery - Grand Opening in Tweed




I am very happy to be part of the celebrations happening this Canada Day weekend at Quinn's Fine Art Gallery in Tweed, Ontario.  The beautiful interior of this historic building will be home to a wide spectrum of fine art, including Contemporary Painters, Sculptors, Photographers, and Glass, Wood, Textile, Mixed and Ceramics artists.  Upstairs, the focus is on Historical Painters, including Jean Paul Lemieux, Jean McEwen, Doris McCarthy, Claude Pissarro, Goodridge Roberts and others.

Saturday evening, July 2, 7-9 pm, the celebrations continue with a reception, at which many of the artists will be present.  Congratulations and best wishes to Paul and his staff. 

Contact: (Gallery Hours: 10 am - 5 pm, 7 days a week)

Quinn's of Tweed Fine Art Gallery
PO Box 580
345 Victoria Street
Tweed, ON K0K 3J0
Tel: 613 478 0000


Monday, May 16, 2011

Quinte Arts Council's Art in the Community Exhibition

Installation photos of some of my work now showing at Dinkel's in Belleville, as part of the Quinte Arts Council's Art in the Community.  The artwork will hang in the restaurant until the end of June.  Stop in for lunch or dinner, enjoy the ambiance of the dining rooms, and perhaps find the perfect piece of artwork you have been searching for your home or office.




Friday, April 22, 2011

It's a Spring Exhibition at Gallery ArtPlus

Gallery ArtPlus in Belleville has welcomed Spring with a colourful, eclectic show.  Two of the featured artists are Tina Osborne and Valerie Kent.

Tina Osborne

As we huddle indoors by our fireplaces with warm cups of consoling liquids, Tina Osborne has done Mother Nature's job of announcing Spring with a dynamic exhibition of outdoor art panels that remind us of what it will soon look like in our gardens and countryside, once Spring and Summer actually arrive.  Her large wooden panels have been meticulously prepared to receive her painted images, and they have been completely weatherproofed for our Canadian climate.  In additon, Tina will brighten your day with her hand painted silk scarves and fine jewellery.  A certified Reiki Master, all of Tina's work emanates with positive energy.  Visit her website here.


                                       





                                                                               








Valerie Kent

I first met Valerie at an AFAC Conference in Toronto in 2008, where she was a workshop presenter.  I am always struck by Valerie's ingenious use of found materials to enhance her artwork.  The viewer is surprised when upon closer inspection, all kinds of found objects can be found in some of her work: eggshells, tiny glass beads, gold leaf from wrappers that would have otherwise been thrown away.  These materials never overpower her work.  In her understated way, Valerie makes a statement about her concerns for our environment, and at the same time creates images that are joyful yet peaceful.  A dedicated teacher, artists will have opportunities to work with Valerie this summer under the Loyalist College Summer Arts Programme. Click here for more information about these workshops.








Try to make a point to drop in at Gallery ArtPlus, and experience an invigorating, lively art show.


Tuesday, April 12, 2011

ECOAA 53rd Annual Juried Art Exhibition

Tender Sketch, Oil/Cold Wax
14 " X 11"
A small oil/cold wax piece was recognized at the recent ECOAA Annual Juried Show with the Jeanne-Marie  McAdam Award for Innovative Work.  The exhibit continues at the Shenkman Arts Cenre, 245 Centrum Blvd., Ottawa until April 22, 2011.  Over 140 works of art were submitted, with 89 pieces juried into the show, representing 47 artists.  The centre encompasses a large, modern building, with several gallery spaces, a clay studio, and dance/theatre studios.  It appears to be well appreciated and used by the community, with very friendly hours.


Paintings displayed along the back wall and along the long side wall at the Shenkman.


Continuation of the exhibition, along the wall and under the grand staircase.


Thank you to Linda Sitler Howe for taking the photo. Tender Sketch (r), and Fugue With Confused Square (l)


Thursday, April 7, 2011

Validation as an Artist

Ode to Lover, 14" X 11"
Oil/Cold Wax on canvas

All artists, I believe, are appreciative when someone or some organization encourages them in what they do by actually purchasing a work of art.  Emerging young artists, and emerging older artists (like myself!) must get the same thrill when such an event happens in their art-life.  For me, a recent purchase by the John Parrott Gallery in Belleville, a nearby town, has given me a hearty boost.  A small oil/cold wax piece, "Ode to Lover" is now in the gallery's Permanent Collection.  I have to say that I am very appreciative of the recognition, and thrilled to bits.

Thursday, March 3, 2011

Evelyn Glennie, Percussion Artist

Five years ago, I saw the documentary film "Touch the Sound", which featured the Scottish percussion artist Evelyn Glennie.  Shortly afterward, I attended a concert she gave at the National Arts Centre in Ottawa.  She inspired me to create a series of clay percussion pieces, using wire for plucking or bowing, glass for chiming, and wooden tuning forks. The clay inself can be struck for resonance.  I loved the idea of producing these varied, unusual sounds.

In Wednesday's Toronto Globe and Mail newspaper, there was a front page feature article and photo of Evelyn in the GlobeArts section. Last night, at Roy Thomson Hall in Toronto, she performed "The Shaman", a new percussion concerto by Winnipeg-based composer Vincent Ho, to open the Toronto Symphony Orchestra's New Creations Festival. How I would have enjoyed being there!



These are some photos of a few of the pieces from that clay series - The Soundscape Sculptures.  The wires stretch across the vessels.  Their tones can be altered using the wooden tuning forks at the rims.  Such fun!

Tuesday, November 23, 2010

A New Work

River # 9, oil/cold wax on board, 10" X 8". This painting is a small work in the 'River' series. I've posted several 7" X 5" pieces in the series on my Etsy site:
http://www.etsy.com/shop/elementalabstractart

Tuesday, November 16, 2010

A Chance Encounter


Cliffside - Acrylic/Mixed Media

Today was my lucky day. Not just because I sold a painting, but because I met the purchaser. Let me back up. I belong to a co-op gallery and we take turns working there and greeting visitors. Almost at the last minute, I switched my day with another artist, and ended up at the gallery today, instead of tomorrow. By chance, a visitor from Toronto dropped in this morning, before my shift, saw one of my pieces, went for lunch, then returned to see the painting again, not knowing I would be there. It was meant to be, I guess, and I was very happy to meet the client who would be taking home a piece of my work. That makes the purchase extra special to me. Many thanks to a new art buyer. I hope my work cheers you every day.

Friday, November 5, 2010

Gustave Flaubert - A Dog's Life?


Dance Tunes #4, Oil/Cold Wax


Apparently, the French writer Gustave Flaubert said: "Writing is a dog's life, but the only life worth living" An artist might make a similar statement about making art. I could agree in some respects, except to say that the dogs that I know lead a very sweet life, and not at all hard to take.




However, just for the fun of it, lets expand on Flaubert's notion, and think about the downside of being an artist.




First of all, it can be a solitary, sometimes tedious business. After long stretches of time at work, there is the occasional reward of a fairly decent passage on the canvas, or a particularly expressive section in the clay sculpture. But mostly it's only the artist who recognizes these tiny accomplishments, as there is no one else around in the studio to tell you one way or the other if you're onto something (except the cat, and he's asleep).




Then there can be those long periods of unproductive agony, when you seriously consider taking up some other form of useful employment, such as computer repair. The mere thought of which sends you into spasms of apoplexy, which further freeze your creative juices, sending you staggering to the nearest newspaper to frantically search the "Help Wanted" ads.




Your spirit sinks further, as you constantly doubt that anyone would actually want to trade cash for one of your creations. For weeks you have tingled with excitement as you moved paint around the canvas, or sculpted the finest nose you have ever sculpted. But will anyone else's breath catch with amazement, or their eyes cast a riveting gaze at your work? Will anyone even stop to look?




Worst of all is the panic that sets in when you wonder if you will meet your self-imposed deadlines. Ten months ago it all seemed possible, with plenty of time to spare. Now you are down to the last few days before your solo show and you're wondering if the paint will dry in time, or if the kiln will break down just before your final firing, and Lord knows it takes two weeks for replacement parts to arrive!




And all this couldn't matter less to the rest of the world - it only matters to you. That's the reality. And that's why we are artists.




Next post: I'll take the dog's life, or why it matters to me.

Saturday, October 23, 2010

Harvest Moon


To celebrate the beautiful full moon (or nearly) tonight: "Luna of the Lake", oil/cold wax, multiple wood panels, 24" X 22". We have been blessed with a spectacular autumn in Ontario!

Monday, October 18, 2010

Fear of Different Media

Drawing 2 - Threads


Any fears I might have had in changing or adding to my approach to my artwork used to be dismissed as just a reluctance by me to take the time to change. I was too busy, too focussed, too whatever! I think I was perhaps too proud to admit fear. It sounded too much like defeat even before I had begun. It has been many years since I have spent time drawing, just for the joy of it. Not to mention the hope of improving skills, the visual fine tuning, and the many other goals that accompany the act of drawing. Paper and pencil: compact, convenient, lyrical in their use. What a lovely way to spend a half hour perched on a boulder in my woods on a cool, sunny autumn day. No "Fear". Just a full heart and a small smile.

Any other "Fears" e.g. subject matter, style, size, whatever - suddenly seem full of possibilities again. Are "Fears" our friends in disguise?

Sunday, October 17, 2010

The Big Draw, 2010

Drawing 1 (c)BarbaraChappelle

One of my "Saturday Gems" is a site that promotes drawing: Campaign for Drawing . October 1-31 is Big Draw Month, apparently around the world - something else I didn't know about! Here's a blurb from the site:


"October 2010 is Big Draw month in twenty countries and on five continents. Launched in 2000, this annual initiative has grown from 180 events in the UK to over 1500 worldwide. The Campaign aims to use drawing to connect visitors with museum and gallery collections, urban and rural spaces – and the wider community – in new and enjoyable ways.
Every Big Draw season offers unlimited scope for those who love to draw and those who think they can’t. "


What an inspiration!

Wednesday, October 6, 2010

Abstract Art at the Tweed Heritage Museum

Mistral #2, Oil/Cold Wax, 11X14 (c) Barbara Chappelle



A new show will open at the Tweed Heritage Museum this Sat., featuring an eclectic group of abstract artists, and I am delighted to be a part of it. I'll be showing 2 larger works : "To The Beach" and "Misty Vineyard". The Heritage Museum is on the main street of Tweed. Artists will be present at the reception from 2 until 4 pm. You are invited to drop by to view the artworks, and visit and chat with the artists while sharing some treats. Look forward to seeing you there.

Tuesday, October 5, 2010

Getting Back to Normal?

Our studio tour is over for another year. Wonderful weather and brilliant fall colours made for a perfect weekend for art lovers to tour the Centre and South Hastings County, visiting artists in their studios. We are so appreciative of those who found a special clay piece or painting to take home with them, or to present as a gift to someone else. You know who you are, and we thank you for your continued patronage. It was a joy to share time with you, and in many cases, gardening ideas were exchanged as visitors toured around our overgrown, casual gardens. See you all again next year.

This piece is "Crowsong" mixed media on heavy watercolour paper, 16" X 12".



Wednesday, September 22, 2010

Studio Tour




In just under 2 weeks the 13th annual Tweed and Area Studio Tour will be here - Sat., Oct. 2 and Sun., Oct. 3. Yikes! We are working, working to get ready to welcome visitors to our studio. No market for Jim on the Sat., as we'll need to focus all our energy here. I will be making a quick visit to Gallery 121 on Sat. for the Opening Reception for the new show there (3-5 pm).

Sunday, September 12, 2010

Miles To Go...

Yesterday was a fine day to work outside, so I spent a little time with one of the new pieces. Layers of colour are starting to build, and provide some depth:

Then I played with some of my beautiful Japanese Washi, using lots of wax and galkyd to apply the papers:

More colour/wax, and more papers:


Some mark making through the layers:





The process continues....
Gotta go............Rockin' with Randy Bachman on CBC Radio 2's "Vinyl Tap". It's Guitar 101 tonight - Live!

Friday, September 10, 2010

Gallery 121 - ArtWalk - Belleville

Last night was an amazing evening in downtown Belleville. Dare I say it felt almost European, with some of the atmosphere of an Italian "La Passeggiata" ? Art galleries and businesses opened their doors until 9 pm to welcome visitors to the annual Art Walk. It was a pleasant evening for folks to stroll Front St. and Bridge St., meeting artists, sharing snacks, and viewing an eclectic mix of art works.


"Fugue With Confused Square" ( 30"X40", oil/cold wax on canvas, (c) Barbara Chappelle) in situ at Gallery 121, with a few of my clay pieces.


Many new visitors came to the gallery, all expressing their enjoyment in participating in the event. Our current show will hang until Sept. 25 at 48 Bridge St. E, Belleville. Hours are Tues. - Sat. 11 am to 5 pm.


Wednesday, September 1, 2010

New Work in Progress

Manoeuvring a 48" X 36" canvas into my teeny workspace is a challenge, but I like creating large, so I just make it work as best as possible. At some point, I'll take it outside (weather permitting), or lay it on the dining table and work flat, then bring it back horizontal. Maybe I'll turn it clockwise or counterclockwise a few times.....




Close-ups of some areas, but they will be gone tomorrow. I have no fear of 'slaying the children' - metaphorically speaking, of course.






These thin layers of oil paint with cold wax medium will be completely covered with the next layers. The wax aids the paint in setting up, so I'm less likely to get mud with the next go at it, I hope. Everything is at the intuitive stage at this point - just playing with colour and loose shapes and relationships. Is that a figure emerging in the upper right? Mmmm.....

Friday, August 27, 2010

Artists' Reception at Gallery 121

"Trafalgar", oil/cold wax on canvas, 20" X 16"


Join us tomorrow, Sat., Aug 28, from 3 to 5 pm, for the opening reception of the new show at Gallery 121 in Belleville. We are presenting a Retrospective of the work of Leslie King (1941-2009), and Gertrud Sorensen is our guest artist. Gallery members will be exhibiting new work. The show continues until Sept. 25.

Have a wonderful, art-filled weekend.





Thursday, August 19, 2010

Testimonial for Rebecca Crowell's Workshop

Today I received an email enquiry from my website about Rebecca Crowell's workshops. Unfortunately, the email address bounced back as undeliverable, so I'm hoping that Pat C. will find my blog. Here is the email I sent Pat:



Hello Pat,
I can't say enough good things about Rebecca's workshop. For me it was like a brand new beginning in my artwork, but not at all scary. After decades of experimenting in various media, with a variety of techniques, I felt I was making progress, but always had that nagging feeling that something was missing. I had just returned to oil paint after 30 years when I attended Rebecca's workshop. The experience was as if a door opened and a whole new world of art-making was before me. I know, it sounds weird, but it is so true. Finally I was painting with the results I had envisioned for many years, but had been unable to achieve.
Rebecca is a remarkable teacher, friend, mentor. Any time spent with her will be amazing. You will come away with your own vision; somehow, there is so much going on that you never worry about being a 'Rebecca Clone'.
I joined Rebecca for the first of her recent workshops in April of 2009 in Rochester NY. I was able to drive there the day before, so that was convenient for transporting materials. Looking forward to participating again in the future sometime. So much to learn and try.
So enjoy your time with her and the other participants, and keep in touch. I'd love to hear about your experiences.
Best regards,
Barbara
PS Check out some earlier Rochester posts on my blog.

Above is a recent work, 'Fugue With Confused Square' , 30" X 40", oil/cold wax.